We decided to introduce each of the 4 strands throughout the video, making sure we build the energy and keep it interesting throughout by incorporating something new within the strands. Eg her being in a different position, different shots, and
incorporating various props to the original strand/scene to keep it different
and interesting, making sure we were keeping a cohesive collective feel throughout.
It was quiet challenging as it took a long time and was very precise; we decided to split 1 minute per person so we did three minutes faster which was very effective.
In order to do this; we were listening to the track (not concentrating much on the lyrics) and trying to link the “feel” of the track back to our ideas that we have.
0:00
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Tracking shot from her breasts to her lips on the black
background
|
0:03
|
Tracking close up of her arm on the black background
|
0:05
|
Glimpse of the black background without her
|
0:06
|
Close up of her the side of her face with emphasis on her
eyes on the black background
|
0:08
|
Tracking of her legs (from feet to waist) on the back
background
|
0:10
|
Wide shot Shot of her in the bath tub (She wolf style)
|
0:11
|
Flash the wide shot without her in the bath
|
0:12
|
Close up of her
feet (in heels) moving to the beat.
|
0:14
|
Flash of the white background (without her
|
0:15
|
Wide shot of her back from behind on the black background.
|
0:17
|
Introduction to her full body; starts singing in the bath
tub scene; present her with a wide shot
|
0:19
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Close up of her body in the bath tub tracking along her
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0:21
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Close up of her face in the bath tub while lip-syncing
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0:22
|
Distorted flash her of sitting on the bath tub in the
black swim suit while smoking
|
0:23
|
Slow motion of her licking / getting water on her face
(sexual ways) of the tap
|
0:25
|
Close up her winking
|
0:27
|
Back to her lipsyncing in the bath tub with a cigarette in
her hand
|
0:30
|
‘Rata-tat-tat-tat’
big close up her of her lips
|
0:32
|
Sitting on chair and zoom close and out and ‘pat-pat-pat
|
0:33
|
Her dancing to the beat; white scene to show her full body
thus presenting her.
|
0:37
|
Close up of her face then edit it so the image is split
into 4 sections (like the photobooth edit on macs) ; from the bath / water
scene.
|
0:41
|
Black and red scene, her walking away from camera in her
louboutins
Maybe standing ? 5 close ups of her body (legs; thighs; waist; boobs; above neck) A jump from Boobs to face (very quick cut) |
0:47
|
Her looking in mirror leaning forward to apply lipstick
(or just her body her head with her hand to the rhythm of the “eh eh ehe
ehh”)
|
0:50
|
Shot of her legs wriggling in bath
|
0:52
|
Then every time she says ‘progress’ the camera tilts 45
degrees clockwise but se see just her face ; tilting not in in a circular
movement; going from chin facing left and chin face face the right. Then
flashing her holding with a photoframe in the white scene; or her doing
seductive faces in the bath; with 1 second jolts in between going back the
titled face part.
|
0:58
|
Flash of a full length shot of her completely natural
looking to same shot of her materialised twice; while natural glimpse of her
smoking a cigarette
|
1:03
|
Mid shot of her in bath; we see her with her legs out
and/or her cigarette down the side.
|
1:06
|
Back on chair and when she says ‘jewel’ she grabs some
bling she’s wearing and the camera zooms close up and maybe have an edit
effect to emphasise the blingness then zoom back out to her on chair
ARROGANTLY like she is the best in the world.
|
1:10
|
Black and red scene- only one side of her body is in the
camera shot and she’s facing the back and puts out leg to side then have a
mirror effect of her leg. Then back to her dancing in front of black wall
Cut her body into two and see her leg out (seductive pose) cutting her (either alone or together) onto the screen 8 or 16 times. |
1:18
|
When filming we’ll slow the track down and she can be
applying make up then when we edit the clip we’ll put the speed back to
normal so it looks like she did it really quick
|
1:23
|
See her dancing in one third of screen (the scene where
we’ll see her in another third of the screen later on)
|
1:26
|
In bath she runs water through her hair
|
1:30-3:
|
: extreme close up of her lip synching against black brick
|
1.34-7
|
mid close up of her hips and arms dancing against w hite
background
|
1.38-41
|
her drinking champagne on sofa
|
1.41-5
|
extreme close up of her lips singing – black and white red
lips
|
1.46-9
|
exactly same as above but flipped upside-down
|
1.50-3:
|
over the shoulder shot of her lying in bath singing
|
1.54-6
|
: her in white background dancing in 1/3 of screen on left
while other 2/3 screen is black
|
1.56-8
|
her in white background dancing in 1/3 of screen on right
while other 2/3 screen is black
|
1.59-2.04:
|
Looking in mirror singing and being vain
|
2.05-07
|
: close up of her hair waving around in the bath
water
|
2.08-12:
|
Black, white and red shot of her lip synching
|
2.13-16
|
lying on sofa bird’s eye view emphasising body
|
2.17-20:
|
white dance panning shot from her feet up to her face
|
2.20-22:
|
: birds eye shot in bath looking innocent: ‘NY rose me’
|
2.22-4:
|
mirror shot acting vain ‘most high chose me’ singing to
herself
|
2.25-28:
|
really fast cut of 4 shots à
‘let me know what I can’ in bath scene, ‘can’ in red scene, ‘can’ in mirror
sofa scene, and last ‘can do for you’ in white dance background
|
2.28-30
|
shot of her dancing against white wall sliding down it
|
2:30
|
slow feel to it; show her gentle sexuality through a wide shot
of her.
|
2:33
|
"man
man man" close up of her face with flash of her in the bath tub.
|
2:37
|
Wide
shot of her viewing from behind infront of the mirrror then wide shot showing
the other way
|
2:41
|
Her
touching her body showing her sexual confidence; mid shot of her on the brick
scene
|
2:43
|
Mirror
scene jumping to dancing scene showing her vanity at the end; close up and
wide shot
|
2:46
|
Her lipsyncing in the bath, tracking forward to her until the
end of lyrics
|
2:52
|
Flashing
her in the white background alone
|
Introducing her in a different moving positions
The screen will be cut into sections of 3 2 of these sections will be carefully but also randomly selected
Changing
them every 2 out of three every second
|
|
3:07
|
Smooth
transition to ending scene where we see her infront of the mirror rolling her
head; wide shot of her face.
|
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